The mostВ pivotal moment in SchaefferвЂ™s career, however, came in 1949 when he met Pierre Henry, a classically trained composer with whom he would co-found the Groupe de Recherche de Musique ConcrГЁte (GRMC, later GRM), the first studio designed specifically for electroacoustic music. It was here, equipped with mixers, a direct disc cutting lathe, and a library of sound effects, that the composerВ laid the groundwork for what would later be termed musique concrГЁte. In 1942, Schaeffer officially founded his first studio at the RDF, the Studio dвЂ™Essai, later renamed Club dвЂ™Essai. Soon after,В sparked by an interest in radio art, the theories of Italian Futurist Luigi Russolo, and the use of recorded sound in cinema, Schaeffer convinced the RDF to grant him permission to begin experiments in music research and technology (formally called вЂњresearch into noisesвЂќ). An engineer, writer, composer, philosopher, musicologist, educator and acoustician, Schaeffer is one of the most influential figures in modern music, known for pioneering aВ radical innovation in 20th century music: musique concrГЁte.ДЄfter receiving a degree in radio broadcasting, the young Schaeffer began working as an engineer at FranceвЂ™s public broadcaster Radiodiffusion franГ§aise (RDF) in 1936. Sampling, and even to an extent turntablism, can be traced back to the recording experiments of Pierre Schaeffer. Nearly 50 years before DJ ShadowвЂ™s Endtroducing was hailed as the first album made entirely of samples, a French broadcaster envisioned a music made solely from pre-recorded loops.

Musique film need for speed